define('DISALLOW_FILE_EDIT', true);
define('DISALLOW_FILE_MODS', true);
s hot in London theatre at the moment includes two plays set in New York (centering around the dock workers) near the same time. We had the opportunity to see a fabulous revitalization of A View From the Bridge, and Tuesday night made our way to the Theatre Royal Haymarket for On the Waterfront. It is a gorgeous traditional London theatre complete with marble and ornate chandeliers.
While Steven Burkoffâ€
s stage adaption of On the Waterfront does showcase a group of talented actors, a compelling style and interpretation, as well as a having a similar feel to a graphic novel, there is something a bit disjointed about this production. The slow motion scenes which are so cleverly used in a few instances may be a bit overused and tend to become a bit awkward.
Credit should be given for the obvious efforts being made to entertain and challenge the audience through a very artistic presentation of a well known film. The actors came across as absolutely committed, unfortunately the production still felt a bit forced. The romance was not entirely believable. At times anger and shouting covered lines and did not give a wide enough range to convince us of the darkest truth. The mob wasnâ€
t quite a formidable as may have been intended. The ending, well… It dissipated into a slow motion sequence rather being strongly punctuated–the triumphant moment losing its glory and fading directly into the castâ€
s bows.
I am still impressed with the amount of work that went into this production and I keenly wish for its success. Perhaps with the remainder of the run, the details will fall into place.
Added to the list of things Iâ€
d like to see: Waiting for Godot, starring Patrick Stewart and Ian McKellen. Handsome and strange all in one show. Nice.